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Discover the Magic of Sound with the FabFilter Total Bundle

Your Ultimate Audio Control Centre Eager to unlock the full potential of your sound, with no constraints and complete access to every plugin from a leading name in audio production and engineering? With FabFilter, acclaimed for its exceptional quality and unparalleled workflow, and celebrated by millions of daily users, you're certainly in the right place.

Experience Comprehensive Power with the Total Bundle The Total Bundle delivers unrestricted access to the entire FabFilter plugin suite. This bundle equips you with the market's leading EQ, compressor, limiter, de-esser, gate/expander, multi-band distortion, stereo delay, filter, and synthesizer plugins all at once. Consider this an all-in-one powerhouse to skyrocket your studio's capabilities and overall production value from satisfactory to remarkable.

Experience Superior Sound Quality with an Intuitive Interface An equalizer is likely the tool you reach for most frequently during mixing and mastering – so it needs to be the best. With FabFilter Pro-Q 3, you're guaranteed supreme sound quality coupled with an exhaustive feature set. Its sleek, innovative interface ensures an unrivalled user-friendly experience. Elevate your sound design journey today with the FabFilter Total Bundle.

Pro-Q 3

Highest possible sound quality, unrivalled interface workflow

An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best. With FabFilter Pro-Q 3, you get the highest possible sound quality, a very extensive feature set, and a gorgeous, innovative interface with unrivalled ease of use.

Pro-Q 3 offers everything that a demanding engineer could wish for: top-quality linear phase operation in addition to the zero latency and unique Natural Phase modes, smooth dynamic EQ, per-band mid/side processing, full surround support (up to Dolby Atmos 7.1.2), an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.

Features

Highest possible sound quality
Up to 24 EQ bands
Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching, with optional external side chain triggering
Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency
Ultra-steep 'Brickwall' slope setting for LP and HP filters
Full surround support (up to Dolby Atmos 7.1.2) with intelligent speaker selection
External spectrum visualization from any other Pro-Q 3 instance, including collision detection
Per-band mid/side or left/right processing, so you can EQ the mid, side, left or right signals separately
Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode
Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum
Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!
Different interface sizes and additional Full Screen mode
Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt
Universal filter slope support for all filter types, up to 96 dB/oct
EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal
Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze and collision detection
Auto Gain and Gain Scale
Optional piano roll display to quantize EQ frequencies to musical notes
Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
Phase Invert option to change polarity
Large output level meter with peak level readout
Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session
GPU-powered graphics acceleration
Double-click text entry of parameter values
Supports stereo, mono and surround channel layouts (up to Dolby Atmos 7.1.2)
Supports common Pro Tools hardware control surfaces
MIDI Learn with option to control the currently active band
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints

Learn more about FabFilter Pro-Q 3.

Pro-R

Give your music some space

As one of the most used effects in the audio world, reverbs come in all forms and flavors. A great reverb sounds natural and sits in the mix perfectly. At the same time, it should not confuse you with over-technical controls, but must be easy to set up and a joy to work with. Enter FabFilter Pro-R.

FabFilter Pro-R takes a musical approach to reverb, offering user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for — without requiring a degree in reverb science.

The stepless Space control lets you fade between dozens of different, carefully-tuned room models, automatically choosing a matching decay time for a natural-sounding result.

Features

Beautifully designed room models, ranging from small ambiences and rooms to large concert halls and huge cathedrals
Carefully developed to easily fit in the mix, without causing undesirable coloration, density or phase problems
Gorgeous Retina interface with large interactive reverb display featuring Decay Rate EQ and Post EQ curves
Very easy to set up, with user-friendly, non-technical controls
Stepless Space control, which smartly and smoothly combines the room model and decay time of the reverb. You can choose from over a dozen carefully designed room models and seamlessly vary between them, without hearing clicks or unwanted artifacts
Decay Rate control, changing the overall decay time from 50% to 200% of the current Space setting
Intelligent Stereo Width control, ranging from pure mono to true stereo and beyond
Distance control to adjust the proximity to the sound source in the selected space
The Character control changes the sound from a clean, transparent decay, to a lively reverb with pronounced reflections and echoes, all the way to an over-modulated chorus-like effect
Perfectly tuned Brightness knob, affecting not only overall brightness, but also the decay of high frequencies
Mix knob with a Lock Mix option, which prevents preset loading from overriding the current mix setting
Predelay control via the bottom bar, ranging from 0 to 500 ms, with optional host tempo sync
Innovative six-band Decay Rate EQ, giving you full control over the decay rate at different frequencies
Six-band Post EQ to equalize the final reverb sound. Together with the Decay Rate EQ, this lets you design reverbs of any style or character
Real-time spectrum analyzer that also visualizes the decay time at different frequencies
Full-Screen mode, offering a large analyzer display and Decay Rate EQ and Post EQ controller
Multiple interface sizes: Medium, Large and Extra Large
Stereo and mono plug-ins available
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints

Learn more about FabFilter Pro-R.

Pro-MB

Multiband dynamics redefined

Multiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: making multiband dynamics processing intuitive yet powerful at the same time.

Instead of conventionally splitting the entire spectrum with crossovers, Pro-MB enables you to directly create a new band at the frequency range you want to work on. Think bands, not crossovers.

The interactive multiband display clearly shows that the rest of the spectrum stays untouched. And if desired, you can easily snap bands together to recreate a traditional crossover system.

Features

Up to six processing bands, freely placed anywhere in the spectrum
Bands can be easily snapped together to form a traditional crossover system
Handles any form of dynamics processing, from highly transparent compression, limiting and expansion to pumping upward compression and punchy gating
Unique Dynamic Phase processing mode featuring zero latency, no static phase changes and no pre-ringing artifacts
Excellent Linear Phase processing mode, eliminating audible artifacts when quickly changing crossover frequencies
Minimum Phase processing mode
Up to four times linear-phase oversampling
Fully customizable per band: threshold, range, attack, release, output gain, ratio, variable knee, lookahead (up to 20 ms), variable stereo linking, mid- or side-only processing, external side chain input, triggering on a separate frequency range
Steepness of each crossover slope can be freely adjusted between 6 dB/oct and 48 dB/oct
Intelligent, highly program- and frequency-dependent attack and release curves
Global dry/wet mix from 0% to 200% to easily scale the total effect of the plug-in
Beautiful Retina interface with unique interactive multiband display, designed for an optimal workflow
Accurate and smooth real-time frequency analyzer with pre- and post-processing options and 'freeze' feature
High-quality audio processing algorithms with 64-bit internal processing where needed
Band solo/mute and bypass options
Precise output metering
GPU-powered graphics acceleration
Double-click text entry of parameter values
Stereo and mono plug-ins available
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints

Learn more about FabFilter Pro-MB.

Pro-L 2

Your music has so much to gain

A true peak limiter is an essential tool for every mastering or mixing engineer. Are you looking for a professional, feature-packed limiter that is loud and transparent at the same time, equipped with extensive loudness metering? Then FabFilter Pro-L 2 is your weapon of choice!

FabFilter Pro-L 2 features precise true peak level meters and extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards. Combined with its unique real-time level display, you have all the information you need to achieve the best possible results.

With highly advanced algorithms, linear-phase oversampling, professional dithering and noise shaping and surround support (up to Dolby Atmos 7.1.2) and intelligent channel linking, FabFilter Pro-L 2 is the complete solution for every mixing and mastering job.

Features

Great transparent sound combined with maximum loudness
Eight different limiting algorithms, all with their own character and purpose
True peak limiting
Unique real-time level display with peak gain reduction labels and new innovative display modes
Up to 32x linear-phase oversampling
Highly accurate output and gain reduction metering including true peak metering
Extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards
Surround support including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking
Optional DC offset filter
External side chain triggering for stem mastering
Unity Gain option to easily listen to the effect of the current limiting at unity gain level
Audition Limiting option to listen to the difference between the input and output signal
Adjustable meter scale, including K-System support
Low CPU usage
Separate channel linking for both the transient and release stages
Advanced dithering with three different noise shaping algorithms
GPU-powered graphics acceleration
Double-click text entry of parameter values
Adapts to stereo, mono and surround audio formats
Adjustable look-ahead, attack and release settings
Optional Compact interface layout
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Extensive help file with interactive help hints

Learn more about FabFilter Pro-L 2.

Pro-C 2

Professional compression for everyone

FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style

Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.

Features

Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and Pumping
Range setting, which limits the maximum applied gain change
Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering
Mix setting, which scales the gain change from 0% to 200%
Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter
Full-Screen mode, offering a large level display and side-chain EQ controller
Program-dependent attack and release curves
Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standards
Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero-latency processing
Retina support on OS X and High DPI support on Windows
Intelligent Auto Gain
External side-chain triggering
Hold (up to 500 ms)
GPU-powered graphics acceleration
Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)
Stereo and mono plug-ins available
Auto Release
Optional MIDI triggering
Super-fast attack times
Supports common Pro Tools hardware control surfaces
Up to 4x oversampling
MIDI Learn
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Undo/redo and A/B comparison
Audition Triggering option, which enables users to hear which parts of the audio Pro-C 2 are triggering and how much compression is taking place
Smart Parameter Interpolation
Multiple interface sizes: Small, Medium and Large
Sample-accurate automation of all parameters
Extensive help file with interactive help hints

Learn more about FabFilter Pro-C 2.

Pro-DS

Intelligent and transparent

Even when using the best mics, pre-amps and converters, sibilance in vocal recordings can easily get over-accentuated during post-processing like compression or saturation. But don't worry, FabFilter Pro-DS comes to the rescue!

With its highly intelligent 'Single Vocal' detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently.

When using the 'Allround' mode, Pro-DS becomes a great tool for high-frequency limiting of any material, like drums or even full mixes.

Features

Highly intelligent 'Single Vocal' detection, and classic 'Allround' detection
Real-time de-essing display, clearly showing the affected parts of processed audio
Adjustable Threshold, Range and detection HP and LP filtering settings
Transparent program-dependent compression/limiting
Wide Band or linear-phase Split Band processing
Optional look-ahead time up to 15 ms
Freely adjustable stereo linking
Optional mid-only or side-only processing
Up to four times linear-phase oversampling
Side-chain input meter, making it easy to choose a good Threshold value
Real-time spectrum analyzer built into the HP/LP filter controller
GPU-powered graphics acceleration
High-quality 64-bit internal processing
Double-click text entry of parameter values
Large and compact interface sizes
Stereo and mono plug-ins available
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints

Learn more about FabFilter Pro-DS.

Pro-G

Expand in style

A good gate/expander is an indispensable tool in any mixing or live situation. FabFilter Pro-G offers everything you could wish for: perfectly tuned algorithms, complete control over the side chain and channel linking, excellent metering and great interface design.

Apart from excellent sound, FabFilter Pro-G also provides very flexible routing. You can choose between mono, stereo or mid/side processing and in expert mode, external side chain input is available with completely customizable channel linking and routing.

FabFilter Pro-G combines smart input/output level meters with a real-time level display and transfer curve. Everything was specifically designed to give clear feedback on the current gate/expander settings and processing, letting you set them up easily.

Features

Six meticulously tuned expander/gate algorithms, including upward expansion and ducking
Program dependent attack and release curves
Low CPU usage
Adjustable range, hold time and knee settings
Optional look-ahead time up to 10 ms
Precise and helpful metering, including a real-time level display
Expert mode that offers highly customizable side chain options
Mono, stereo or mid/side processing
Up to four times linear-phase oversampling
Zero-latency operation mode
MIDI triggering: open the gate/expander with your MIDI keyboard
External side chain option
Separate dry/wet level settings
Easy to set up for common gating / expansion scenarios with the included factory presets
GPU-powered graphics acceleration
Double-click text entry of parameter values
Stereo and mono plug-ins available
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Extensive help file with interactive help hints

Learn more about FabFilter Pro-G.

Saturn 2

Take your music to the outer limits...

Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.

FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.

With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.

Features

28 different distortion styles, from subtle tube saturation to heavy guitar amps and bit crushing
Multiband processing (up to 6 bands), with optional linear phase processing
Adjustable slope for the crossovers, offering 6, 12, 24 and 48 dB/oct options
Per-band drive, mix, feedback, dynamics, tone and level controls
Live modulation visualization for targets and sources
Optional HQ modes: Good (8x oversampling) and Superb (32x oversampling)
Fully redesigned, easy-to-use interface, including a new design of modulation sources and floating slot panel
Interactive multiband display
Endless modulation options, with all the 16-step XLFOs, XY controllers/sliders, envelope generators, envelope followers, and MIDI sources you will ever need
Curve control in EGs and transient detection in EFs
Easy drag-and-drop modulation with 50-slot modulation matrix
Supports common Pro Tools hardware control surfaces
Mid/side processing
Various interface sizes and Full Screen mode
GPU-powered graphics acceleration
Unique per-component presets
Interactive MIDI Learn
Carefully designed and curated Factory Presets, plus support of V1 presets
Per-band solo and mute options
Smart Parameter Interpolation
Extensive help file with interactive help hints
Undo, redo and A/B switch features

Learn more about FabFilter Saturn 2.

Timeless 3

From everyday echos to lush modulation

FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!

The stereo delay signal is routed through five unique effects and up to six analog-sounding filters and then routed back to the input with adjustable feedback. Easily program your own delays using the well-laid-out controls and interactive delay and filter displays.

Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless's unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.

Features

Fully redesigned, highly simplified interface, with an easy workflow and new modulation engine
Optional Drive, Lo-Fi, Diffuse, Dynamics and Pitch effects to creatively color the feedbacked delay sound
Analog tape delay or smooth time-stretching behavior when changing the delay time
Up to 6 filters, which can be either the original, vintage LP/HP/BP filters or Bell/Shelving/Notch EQ filters
Create rhythmic patterns using up to 16 delay taps, which can be controlled and modulated individually
Improved the sound quality of overall feedback, the filters, and internal saturation
Feedback and cross-feedback, and modulatable freeze option
Mid/side processing
Ping-pong modes
Live modulation visualization for targets and sources
Carefully designed and curated factory presets, plus support for earlier Timeless presets
Interactive delay and filter displays
GPU-powered graphics acceleration
Various interface sizes and Full Screen mode
Curve control in EGs and transient detection in EFs
Easy drag-and-drop modulation with 50-slot modulation matrix
Supports common Pro Tools hardware control surfaces
Interactive MIDI Learn
Extensive help file with interactive help hints
Unique per-component presets for modulation sources and tap patterns
Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need
Smart Parameter Interpolation
Undo, redo and A/B switch features

Learn more about Timeless 3.

Volcano 3

Erupting with character and vintage quality

Nothing beats a vintage sounding, gritty and creamy cut-off filter. That's exactly what FabFilter Volcano has been known for since its first release in 2005. Today, Volcano 3 continues to deliver the best in creative filtering with new non-linear filter shapes and a completely redesigned interface that is an absolute delight to work with.

Volcano 3 contains four analog-sounding filters with flexible routing, each offering many filter shapes including non-linear bell and shelf filters. Different filter styles offer saturation and self-oscillation at high peak settings, just like classic, vintage filters.

With all the XLFOs, envelope generators, envelope followers and MIDI sources you will ever need, Volcano 3 offers endless modulation possibilities. Setting up new modulation connections could not be easier: just drag and drop.

Features

Fully redesigned, highly simplified interface, with an easier workflow, including a new design of modulation sources and floating slot panel
Added new, vintage-sounding EQ-type filter shapes with the internal drive and non-linearities: bell, low/high shelf, notch and all-pass
Ultra-flexible filter routing, including per-channel and mid/side modes
Various interface sizes and full screen mode
Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need
Introduced Drive setting per filter, adjusting the internal filter saturation, which allows for much more variety in sound and smoothness
Improved the sound quality of overall feedback, the filters, and internal saturation
Live modulation visualization for targets and sources
High Quality option, enabling maximum internal oversampling for the best results
Level/Pan per filter, which is especially useful when using parallel filter routings
6 dB/oct filter slope option
Stereo and mono plug-ins available
Undo, redo and A/B switch features
Carefully designed and curated factory presets, plus support for earlier Volcano presets
Large interactive filter display with optional piano display
Interactive MIDI Learn
Extensive help file with interactive help hints

Learn more about FabFilter Volcano 3.

Twin 2

Amazing Oscillators, Unique Filters

FabFilter Twin 2 is equipped with the best possible oscillators, award-winning filters and an innovative interface that makes sound design a breeze! Rather use presets? Twin 2 comes with more than 1600 quality sounds that you can use right away.

Programming Twin 2 is easy and fast. The what-you-use-is-what-you-see interface shows only what you are actually using, and the graphic component buttons give you direct access to the most important settings from the impressive list of features.

With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 2 offers practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop.

Features

Three high-quality oscillators with PWM, hard sync, and phase sync
Four state-of-the-art multimode filters with filter panning and 11 characteristics
Extensive delay section with feedback and filter section
Over 1600 presets
Revolutionary new interface, using our innovative what-you-use-is-what-you-see concept
Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom
Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need
Easy drag-and-drop modulation with 50-slot modulation matrix
Modulation source signal visualization
Ring modulation
GPU-powered graphics acceleration
Side chain input
Polyphonic portamento
32-voice polyphony and unison
Highly improved MIDI Learn
Unique per-component presets
Smart Parameter Interpolation
Extensive help file with interactive help hints
Undo, redo and A/B switch features

Learn more about FabFilter Twin 2.

FabFilter One

Amazing Oscillators, Unique Filters

For FabFilter One, FebFilter have put tremendous effort in creating the best cut-off filter ever. Their new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One's filter sounds raw but never cheap or 'digital', even at full resonance.

The filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.

Features

Aliasing-free high quality oscillator with triangle, sawtooth, and square wave forms
Fat and ultra-smooth self-oscillating low-pass filter
LFO with tempo sync, triangle and square wave forms, and adjustable wave balance
Fine-tuned EG with additional Hold setting
Frequency and filter cut-off modulation
Pulse width modulation
Filter keyboard tracking
Velocity sensitivity
10-voice polyphony
White/pink noise generator
Smooth portamento
Over 100 presets
Undo and redo
MIDI learn
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Parameter value display
Extensive help file

Learn more about FabFilter One.

Simplon

Unique Filters, Easy Display

FabFilter Simplon is a simplified version of FabFilter Volcano 2 with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode.

Originally developed for FabFilter One, Simplon's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon's filters sound raw but never cheap or 'digital', even at full resonance.

Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

Learn more about FabFilter Simplon.

Micro

The Classic FabFilter Sound

With the introduction of FabFilter One in 2004, they set a new standard for digital filters... and it still stands today. Now you can get that classic FabFilter sound for a Micro price! With a single high-quality filter, FabFilter Micro is the ultimate lightweight filter plug-in.

FabFilter Micro's single filter is smooth and creamy, yet easily turns into raw saturation and self-oscillation when tweaked using the interactive filter display. It features low-pass and high-pass shapes and an envelope follower to modulate the cut-off frequency.

With the individual Input Gain and Output Gain parameters, you can fully control the saturation of the internal filter, making FabFilter Micro not only ideally suited for basic filtering tasks, but also capable of beautiful distortion and analog saturation effects.

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!

Learn more about FabFilter Micro.

System Requirements

Mac

macOS 10.12 or higher (Intel or M1 Apple Silicon processor) (64-bit only)
VST2, VST3, AU, AAX Native

Windows

Windows 11, 10, 8, 7, or Vista (32 or 64-bit)
VST2, VST3, AAX Native

Formats

All FabFilter plug-ins are available in VST, VST3, Audio Units, AAX Native and AudioSuite formats.

Formats

Audio Unit
AAX
AAX Native
VST
VST2
VST3

System Requirements

macOS 10.13 or higher (64-bit only)
AU or VST 2/3 host or Pro Tools
Apple Silicon or Intel processor
Windows 11, 10, 8, 7 or Vista
64-bit or 32-bit
VST 2/3 host or Pro Tools

Delivery & Installation Process

You can download, install and activate this product immediately after placing your order. You will receive the downloadable product, serial number and/or activation and installation instructions with your order confirmation.