Bunker 8 Digital Labs has returned back to the place where all fear to tread, 'Downtempo Darkness 3'. Bunker 8 has become synonymous with lush, atmospheric arrangements bursting at the seams with inky black angst and corrupted slo-mo beat offerings. 'Downtempo Darkness 3' now comes with over 7.3GB of content.

'Downtempo Darkness 3' contains over 1200 Licence Free samples. This is by far the biggest collection ever provided for download by Bunker 8.

Contents:

• 1200 Files
• 7.34 GB of Content
• 166 Acid Loops
• 166 Apple Loops
• 785 Single Hit Samples
• 12 Battery 2 Kits
• 12 Kontakt 2 Kits
• 12 DS404 Kits
• 12 EMU kits
• 12 Gigasampler Kits
• 12 Halion Kits
• 12 Sampletank Kits
• 12 Soundfont Kits
• 12 Wusikstation Kits

About the Construction Kits:

For the first time, Bunker 8 is providing REX 2 files, we listen and we learned. Our followers on the Reason platform now have a place to join in the action. All 10 construction kits have been carefully edited and sample edited so that each loop is completely seamless and will perform flawlessly on any DAW/development you happen to choose. Bunker 8 have been developing sample content for over 18 years, they have provided industry leading content to the best producers, soundtrack composers, video game audio specialists and composers in the industry.

Each kit contains a full sample mix, plus all of the elements separated and set out for you to mix and match to create your own corrosive concoction. Bunker 8 uses proprietary sample looping technology so that each cycle of either format seams perfectly throughout your jams. That means you can stretch these loops really far with limited or no digital artifacts. All beats have been processed using Neve, Soundcraft and SSL consoles at the mixing stage, so you know these are ready to go.

Greatest Quality Assured:
 
These kits have been made by the same world famous producers who brought you "Hitzone 1, 2, 3", "Hybridizer 1, 2, 3," "101 Below," etc. Its like having Sigmund Droid and Ruptured Surround Sound right with you at the controls.