'Trance Elevation Volume 1' features TEN of the finest Trance Construction Kits ever produced. You get over a HUGE amount of content for creating trance music. Includes options for downloading a choice of ACIDized WAV, Apple Loops, REX or REASON REFILL. MIDI files are also included for enhanced flexibility.
'Trance Elevation Volume 1' features everything required to produce top-level trance tracks. Includes 10 HUGE Construction Kits (300MB per kit) suitable for use in all sequencers and samples on both Mac and PC. MIDI files have also been provided for intermediate and advanced users.
About the Producer:
'Trance Elevation Volume 1' was produced for ProducerLoops.com by Jonathan Blakoe of Static Blue. His remixes for 'Armin Van Buuren', 'Sunny Lax', 'Kamil Polner' and 'Adam Szabo' have earned him much respect from all of the major players on the trance scene.
There are TWO huge MP3 demos to hear before you buy. Each demo represents five of the Construction Kits. All of the parts you hear in the demos are included in this product. There is nothing missing. Furthermore, all parts are included on their own (isolated) allowing you to incorporate as much or as little of the Construction Kit into your tracks as desired.
Dancetech Video Reviews:
About the Construction Kits:
All of the elements of the Construction Kit have been broken-out into separate files. Each part has been isolated so you can choose which parts you want to use in your own track. All parts are "looped" perfectly, so you can simply drag and drop the desired parts into your music sequencer.
Built for all level of Producers:
This product has been constructed from the ground up with 'usability' in mind. It has been designed to appeal to beginners, intermediate and professional users alike. Please read on for examples of what we did to achieve this.
Dry and Processed Loops:
We have included dry and processed (wet) versions of the loops for most parts, to give you ultimate flexibility when mixing these into your tracks. Beginners will want to use the wet versions, whereas the intermediate and advanced users will find the dry versions and MIDI files particularly useful.
MIDI files have been provided for the melodic synthesizer riffs (including leads, pads and basslines). Therefore, if you want to put these melodies through your own synthesizers or plugins, then no problem, simply import the MIDI file into your sequencer then select your own synth or plugin as the output.
Up-filters, Down-filters & Flat-filters:
For most synthesizer leads (and some pads) we have provided an up-filter, a down-filter and a flat-filter. So, you can build the huge anthem sound up to a climax, then let it roll for a while, then filter it back down again. Obviously, we understand that advanced users may want to use the MIDI riffs instead, but producers of all levels can use the audio parts exactly as they are without compromise.
Unlooped Riffs for Pro Producers:
We have included audio riffs that include reverb and delay tails for the professional producers out there. These do not loop because the reverb/delay tail can be up to 2 bars in length. These have been provided because sometimes you want the synthesizer lead part to fade out during a breakdown, for example.
All of the content in Trance Elevation Volume 1 is 100% royalty-free. Once purchased, you can use these audio loops and MIDI files in your music releases, both commercial and underground, with no restrictions.
• Clap Loops
• Drum Loops
• Kick Loops
• Kick Samples
• Hat Loops
• Pad Loops
• Plucked Synth Loops
• Reverse Cymbals
• Snare Loops
• Synth Leads
• Synth Arps
• Sound Effects
• APPLE LOOPS
• REX LOOPS (DRUMS)
• REASON REFILL
• 44.1 kHz/ 24-Bit Loops & Samples
• All loops sync to BPM
• PC/Mac Compatible
We have split each format into separate downloads, so if you have a slow connection you will be able to download this product in smaller chunks.
How to Order:
Simply click "BUY NOW" at the top of this page then enter your details. Your Download Link will be sent to you by email immediately after your payment has been received.
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